A necklace that carries in it the softness of folklore and the boldness of form. Ganesh ji painted in the miniature style, echoing the fine brushwork of Rajasthani and Pichwai traditions, rests within enamel frames, surrounded by 92.5 silver, hand-strung pearls, and kundan-set stones.
Elephant teeth find themselves mirrored by arches made of turquoise. At the centre, a motif that could belong to a palace mural or a warrior’s crest. Below it, a fringe of dangling pearls and beads.
Worn traditionally, this could pass for a bridal heirloom. But placed on the temple of the head, like a jhumar from another realm, it becomes something entirely new. That styling becomes a statement. A dialogue between eras. A contradiction that feels right.
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